|
Recording Studio Softwares
and Products:
ZOOM MRS-1266CD
DASH SYNTHESIS daALFA2k
EMAGIC LOGIC 6.0
PROMEEK P3 PRO CHANNEL
FOCUSRITE PLATINUM VOICEMASTER PRO
PIONEER CDJ-800
LASSENCE I1/4-VENTURY II
BEHRINGER VMX300
[
More ]
|
|
|
Articles
The Future for Independent Record
Labels
By Eugene Brooks
Small independent record labels are facing a different
fight today to obtain a share of the music industry.
The best possible means in which small labels were
able to get their CDs sold vanished in 2003
when Southwest Wholesale Records and Tapes closed
the doors. The ability to have their music placed
in a position to be sold along the same shelves
as the major record labels is becoming increasingly
more difficult. The absence of competition on the
shelves has generated an increase in profits for
the major labels. What can smaller more nimble labels
do to compete with the major labels? [
More
]
The Importance of Studio Acoustics
Broadcast Engineering, April
1, 2005 by Ken C. Pohlmann
The frequency response of a power amplifier will
be the same in your audio control room as it was
on the test bench. Grounding and shielding issues
aside, an amplifier's performance does not depend
on its environment or location. On the other hand,
the frequency response and many other performance
criteria of microphones and loudspeakers are affected
by the room they are in. Indeed, specifications
of transducers have limited value because they cannot
account for the real-world conditions of their use.
The acoustics of any room can profoundly affect
the quality of any audio signal that is acoustically
conveyed in that room. Whether you are recording
voice or music into an open microphone, or monitoring
or mixing over loudspeakers, the room can dictate
what is recorded and what you think is recorded.
For that reason, any serious studio needs serious
acoustics. [
More ]
Read It And Filter Sweep
- Studio-in-a-Box - Book Review
Remix, Feb 1, 2003
Studio-in-a-Box, by Erik Hawkins (EMBooks; Artistpro.com)
It's no secret that computer-based recording, editing
and mixing is now the dominant means of music production.
And if you go to a Barnes & Noble, you will
find no lack of texts saying just that. Well, make
room for one more: The richly detailed Studio-in-a-Box:
The New Era of Computer Recording Technology begins
by telling the reader why a virtual studio makes
so much sense, both for finance and flexibility
reasons. [
More ] |
|